Originally written October 18th after final show.
I am a man: I wear lipstick and I’m OK. It takes a few seconds for the phrase to sink in and a few more to get all the conclusions eradicated form your brain. I also wear a wig and long flowing clothes but don’t let that give you the wrong idea. There is nothing feminine or attractive about my appearance.
I am Sandman in the Cherokee Theater Company’s production of Hansel and Gretel. My character is described as old, short and sensitive. I am six foot three, a former physical education teacher and forty years old. I possess one of the three qualities of the character: I am the oldest cast member.
This is my second performance with CTC and the first time I have had to wear makeup. Putting on makeup for the first time was not a comfortable experience. In You Can’t Take it With You I only had to put on powder so my giant forehead wouldn’t reflect the light and blind the audience. This time I had to make myself appear much older.

Dr. Frank-N-Furter
When I think of make up I think of Dr. Frank-N-Furter or Pennywise. Why I think of Tim Curry’s characters is up to a team of trained professionals to understand. All the actors performing on TV, movies or stage wear make up – I keep telling myself.
Applying make up isn’t as complicated as I though it would be. I thought women practiced for years before they were able to master the art of face making up. Or maybe it just feels like years waiting for your wife or girlfriend to get ready. The process of applying stage make up is pretty straightforward. It is a very similar to paint by number project.
The first step was a base so the make up would blend evenly over my skin. Rich (Mr. Theatre) allowed me to use his giant toolbox filled with make up. I applied cream based stick called “leading man.” I purchased some triangle sponges to spread it around.

Pennywise
Next I had to lighten areas of my face that stick out. I applied an ivory colored makeup on my cheekbones, nose, brow, jaw and chin.
To age my face I used pencil to draw in wrinkles and make them darker. I am positive I have more wrinkles now than I did before the show. I drew the wrinkles on my forehead, mouth and added some crow’s feet. I also used a brush and added some ivory to highlight the black of the lines.
Eyeliner took a bit to get used to. The only way it worked for me was to dip my finger in and spread it around my eyes. I used a brown above and below to give me a tired look. This was my idea and I think it looked pretty freakin cool.
The last two steps were my least favorite for different reasons. The lipstick sucks because it is lipstick. Apparently there is a whole process women go through in blotting and spreading the lipstick. I was told to put it on my bottom lip and make kissy faces to spread it around. I still don’t understand why this works.
On the 2nd night I said out loud: “I want to find some cool lipstick tonight.” People heard me say it and I was embarrassed.
Rich applied powder to my face each night after I did the make up. Yes, I did the make up. It took me about 15 minutes to apply it. I didn’t care much for the powder it made my face feel dry. Maybe I need a nice moisturizer?

Grumpy Old Man
The next important piece of my character was the voice. I tried to find a rough old man voice. I didn’t want to sound like Dana Carvy’s Grumpy Old Man.
My first attempt at voice sounded like Elvis before it morphed into that Sling Blade guy. By the closing night I sounded more like Kirk Lazarus.
In You Can’t Take it with You my character, Paul, was an extension of myself. This time I became the character. Sandman wasn’t a part of me; I created the character Sandman for this production. He was a jerk and funny. He was annoyed at humans yet cared for their safety. Sandman was also one of the funniest characters in the show – and I am saying that because I played him.

Kirk Lazarus
It was liberating, exciting and a bit scary. By changing my appearance I was free to be somebody that wasn’t me. A little lipstick now and then isn’t so bad.